by
bhavani
@ 2008-07-16 - 07:34:18
FILM REVIEW
DASAVATHARAM
By Bhavani Krishna Iyer
THE wild goose chase for tickets took me from several failed telephone bookings to an-hour long queue at GSC One- Utama and I finally ended up at Lotus with the first row seats, and didn’t mind risking my neck for Kamal. My family thought I was crazy.
Having gotten the ticket with such hassle, I walked into the cinema with loads of expectations ( and popcorns) and what more; Kamal Haaasan is known for some novelty in most of his films. Ten avatars ( reincarnations) or roles as Kamal would have it, I thought would appease my expectation.
The opening scene was grandiose with the first fifteen minutes bringing us back to the 12th Century conflict between the Shaivites and and the Vaishnavites. The setting is in Chidambaram during the Chola empire and the costumes made the scene very telling, exemplifying Kamal’s perfectionism.
Having said that, the events that follow, after the execution of Vaishnavite Rangaraja Nambi ( Kamal) at the beginning of the show, have history woven in delicately but I felt that the relevance was apparent only to the discerning few.
For the next two hours and 45 minutes, it was Kamal running after a tiny box the size of a match-box containing a deadly bio chemical
Biotechnologist Dr Govind Ramaswamy ( Kamal ) takes to heels to save the world from his vicious colleagues and partners, thwarting their plan to mint money from the deadly virus with the potential of being used as a deadly bio weapon, capable of wiping out the entire world population. Govind is part of this prestigious research project on bio weapons in the United States, directly under the Bush Administration.
The run and chase begins when the little box with the vial finds its way out of the laboratory and to India, in Chidambaram more precisely and as it would have to be. We see Govind, the villain, the FBI and the Indian police trailing Govind and Aandal played by Asin the Brahmin girl and the unwitting accomplice to Govind.
I would say Chance, Chaos and Coincidence are the mainstays of Dasavatharam, a movie built over almost three years, with a thin and mediocre story line and predictable twists and turns.
The costliest movie ever made in India ( at a cost of Rs 65 Crores), Dasavatharam was released simultaneously in India and Malaysia on Friday the 13th . Movie critics have since torn Kamal apart for the lack of many-things in the movie, topping the list is the absence of depth in this character and story.
The popularity of this movie runs on Kamal doing ten different roles, a record breaking feat where one actor appears in the most roles but there is no added value or justification for Kamal to appear in so many roles. Some critics say the roles were fished out just to add to the numbers.
Compared to his previous accomplishment such as Michael, Madhana, Kamaraja ( 1991) where he played four roles, Avvai Shanmugi( 1996) , Thennali (2000) and Panchatanthiram (2002), Dasavatharam does not live up to the expectations, I would say.
K.S. Ravikumar who needs no introduction is seen here pairing with Kamal for the fourth time, all three previous ventures were roaring successes. He takes credit for the direction of the movie and shares credit with Kamal, the late Sujatha and Crazy Mohan for scripting the story.
Crazy Mohan’s dialogues are a class of its own. Known for his slapstick flicks, the movie had several of them. Mohan, Kamal and Ravikumar have worked to big success in Panchathanthiram, Thennali and Avvai Shanmugi.
For humour, if you expect to see Vadiveloo or Vivek, you will not be disappointed by their a absence as the pair Kamal and Asin is equally good, if not better.
Now, Kamal’s other roles in this movie, some of which disguised beyond recognized through the good work of American make-up artist Michael Westmore will not be revealed so as not to kill the only suspense in the movie.
Keeping up to the Jackie Chan-like action-packed scenes, there were no dream, dance or song scenes and this contributed to the momentum staying high.
My advice is to catch the movie on the big screen or you will not reap the full benefit of the special effects which are generously provided for and check out the nonagenarian Krishnaveni, she is more than just hilarious
The end